Filmmaker / Photographer / VJ. Working across multiple media including moving image, photography, and installation, incorporating the characteristics of viewing environments and playback formats into the work itself as a means of reconstructing visual expression. Taking the cinematic experience as a starting point, the practice reconsiders the question of what cinema is, developing screening formats that engage with space and bodily sensation. Through the methods of Expanded Cinema, the work pursues a moving image practice that extends beyond the conventional frameworks of film.
Solo Exhibitions
| 2024, Nov. |
“Interpoints” Alternative Space yuge, Kyoto |
| 2025, Aug. |
“esse est percipi” Gallery NEUTRAL, Kyoto |
| 2025, Sep. |
“Our Times” Dōjidai Gallery, Kyoto |
Two-Person Exhibitions
| 2025, Apr. |
KG+ Pick Up “Burning Elephant” TAKI/焚, Kyoto |
Group Exhibitions
| 2024, Feb. |
Kyoto University of the Arts Graduation Exhibition (NOWHERE), Kyoto University of the Arts, Kyoto |
| 2024, Apr. |
“APA Award 2024” Kyoto City Museum of Art Annex, Kyoto / Tokyo Photographic Art Museum, Tokyo |
| 2024, Aug. |
“electronic evening 2024” Hōnen-in, Kyoto |
| 2025, Jan. |
“Noto: One Year On” Denki-yu, Tokyo |
| 2025, Aug. |
“electronic evening 2025” Hōnen-in, Kyoto |
Publications
| 2023, Jun. |
Photobook See Saw Seen 深層心理, self-published |
| 2024, Jun. |
Photobook (See Saw Seen Sin Sou Sinri)², self-published |
| 2025, Aug. |
Photobook esse est percipi, self-published |
Films
| 2022 |
Ad lib. Digital (HD) / Stereo / 24 min. 30 sec. |
| 2022 |
Gourmet Circle 16mm (B&W & Color) / Silent / 7 min. 40 sec. |
| 2023 |
A Human Dream Digital (4K) / 5.1ch / 57 min. 44 sec. |
| 2024 |
NOWHERE 16mm (Color) → 35mm (blow-up) / 8ch / Loop |
| 2024 |
interpoints 8mm (Color) / Mono / 9 min. 51 sec. |
| 2025 |
Our Times 16mm (Color) / 3.0ch / 9 min. 20 sec. |
